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Holy Spider 2022

Holy Spider is a great film, but not a spectacular one as I expected after reading many positive reviews praising it.
The production, directing, acting and soundtrack were all good, but the movie is unnecessarily long. Many scenes could have been made shorter or simply deleted from the final cut.
On the other hand, the message of how religion can sometimes serve as an excuse for people to commit heinous crimes and still have popular support based on a false sense of morality was perfectly delivered.

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Script 2.5
Acting 1.5
Cinematography 1.5
Enjoy 0.7
6.2/10.
Femin1st, this Is a true patriarchy.

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Despite some predictability in the plot, I still found the film highly enjoyable. What truly captivated me was the director's use of rawness to portray the stories of the women and their struggles in a cruel, patriarchal world lacking in humanity and empathy. If I had to sum up the film in one word, "raw" would be my choice.

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Quite fascinating in its telling as this is as much a study of prejudice as it is a serial killer thriller. It's very disturbing in parts so certainly not for the squeamish.

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A movie that looks like a carpet on his poster. Okay, but tediously woven from repetitive elements of oriental color - here is Faith, here are the Customs and Prohibitions, the general approval of the Wretchedness of one's life, but suddenly, the Pattern becomes intricate! Take a closer look, it is not just beautiful. But elegant gives simple answers to the right questions. No one, not even us, will get what they expect!

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The first half is predictable, mostly a quite poor thriller, it could have been shortened easily. The real film here is in the second half, which shows and reports what Iran is now.

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A good movie with a subtle take on a real event and good acting by the actors.

The good setting of the film is in accordance with the Iranian society in the 60s of the Islamic calendar.

An uncensored film about the lives of Iranians and their situation.

Good show. Corruptions in Iran's administrative and governance society.

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It is as clumsy as it is thriller as it is social narrative about the position of women in Iranian society. The director achieves a disturbing atmosphere but creates a profile of a serial killer that is basic and manipulative, through violent scenes that seem to seek more impact than depth in the character's psychology. He also manipulates reality through a main character who seems like a fantasy, reconstructing a veracity to the taste of director, who traces messages of empowerment that are simple and inconsequential. So that the alleged denunciation ends up being empty and inert.

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