Dreadlock UnicornVIP

3

I have so much to say about this show and how bad it is. If you want a excellent supernatural drama, then watch this BUT only from season 1 to 5. The fifth season's finale offers a great ending to the show and after that, everything is just plain bad. The plots stop making sense, they bring back characters just to kill them off and introduce new ones nobody gives a shit about. Think about everything that makes the show amazing, all those characters you love. Well, you'll be lucky if they decide to kill them off, because they managed to ruin Castiel and Crowley's characters to a point where I can't even stand them. Season 10's Crowley is just terrible, all he does is sit on his chair in his castle or whatever the hell that is (look i made a pun) and kill random demons. Regarding Castiel, a lot happens to him after the fifth season, sure, but his character just doesn't evolve. This is so irritating because i was such a huge fan of this show but now i feel like i'm gonna have to drop it.
I can only recommend the 5 first seasons, after that everything is just bad.
Just look at the gap between season 1-5 ratings and season 6-10 (or 11 now, since it has been renewed), and really the only people still defending this show are tumblr hardcore fans and shippers.

Ms. Marvel episode 1 impressions: First of all, why is Disney shooting these Marvel shows with a 2.35:1 aspect ratio? Shows meant to be shown exclusively on 16:9 displays. It's rather annoying. Especially after they made their huge marketing push of having 16:9 open matted versions of the Marvel movies on Disney+ with the "IMAX Enhanced" label. Seems really backwards to have the Marvel movies in 16:9 and the shows at a wider aspect ratio.

Second biggest problem: WTF did they do to her powers? This isn't faithful to the comics at all. Why is her ability this weird energy crystal power instead of polymorphing? And instead of getting her powers from having Inhuman genes, they made her get her powers from magic bracelets? It's like if they made Spider-Man shoot lasers instead of webs. She might as well be a totally different character.

In fact, making the source of her powers come from magic instead of from a genetic modification is a hilarious blunder as magic is considered haram in Islam. They might as well have made her a super fundamentalist Christian superhero who gets her powers from witchcraft.

I could excuse the strange casting choices that made Kamala and Bruno look too young compared to their comic counterparts if it weren't for the fact they ruined her powers. The constant shapeshifting body horror of the comics was central to Kamala's character.

For me this is another hatewatch just like the Halo series. Like Halo, while it has some things that appeal to fans of the original lore, it has many other aspects that drag it down and make it difficult to fully enjoy the show.

MODERATOR EDIT: Be more respectful.

Vastly overrated.

This is basically just a Nancy Drew, Veronica Mars style murder mystery, but placed in a supernatural school.

If you're a 30-40-something year old looking to revisit the Addams Family for some creepy capers and what-not. This isn't for you. This is written for alt-teens who grew up on Disney Channel movies and are now at the point in life where they are trying to rebel. The only thing here for the older crowd is Christina Ricci popping up in a new role.

The show is entirely predictable from the moment the "Hyde" (monster) is introduced. Ask yourself, why are certain character 1 and 2 so prominent in the story? What are they seriously offering?... Oh, it's because they're the bad guy and whoever are the bad guys at the start obviously won't end up being so. There are zero surprises here.

Despite the world it's set in, werewolves, sirens etc., it's entirely unimaginative and lacking in any real depth. Wednesday is just a 15/16 year old kid trying to be a detective and sticking her nose in where she has no business. Everyone keeps telling her to go away and stop and she is just annoying as anything. She also just isn't creepy and at all threatening like Christina Ricci was in the 90s. Jenna Ortega seems to act like she's watched one too many movies of Hollywood depicting an autistic kid and rolled it all into one reclusive bundle. It doesn't help that the script is bad and cheesey to be fair to her but again, she's just a kid devoid of giving a crap... with some one liners thrown in to make her sound like she's threatening or creepy here and there just to remind you she's Wednesday Addams and not Veronica Mars.

I fell asleep three times trying to watch through some of the middle episodes.

Oh... and the CGI on the Hyde monster. HORRIBLE. So cartoon. If you want to be reminded "this is definitely not realistic", that CGI covers it off nicely for you.

5 September 2019 - I really try to give a series a chance to prove itself, but I'm abandoning 13 REASONS WHY after S3 E4. It is scrapping the barrel of all things potentially hurtful, damaging and downright dangerous in teen living. The prescriptive warnings by the cast to seek help if you are in the situations depicted in their drama do not excuse the series reinjuring those in peril for the sake of further episodes/seasons. This series no longer has a cathartic benefit. I will no longer be watching it (despite a new bright light in the cast). As I prophetically wrote in 2017 - This series has sucked the life out of its premise. I leave the series with a rating of 5 (meh) out of 10. [Teenage Drama].

I've left the previous reviews here so you can see how it fell out of my favour.

3 April 2017 - I'm just three episodes deep into this Netfilx series and I'm enjoying the characters and the suspense. This is a good premise, the acting is strong, and I can't wait to find out what happened, as we see the story from the varying points of view. Looking good - so I'm giving it a preliminary 8 (great) out of 10.

8 April 2017 - I'm sorry to say that the series didn't live up to the premise. I think it was meant to be a cautionary tale, but the writing was uneven, the characters' emotional arches poorly drawn, and some episodes were just a downright mess. The acting was good because the casting was strong. Even though the scripts were disappointing the series will resonate with those who have been shamed, bullied, emotionally or physically abused. Unfortunately, these are now adolescent realities, so people will see their experiences reflected here. But the writers sewed these components together poorly, interrupting the build of suspense, artificially inflating the emotional environment which in turn compromised the trueness of the characters and leaving the audience disappointed, or in some cases, lost (I almost quit after the very poor episode - S1 E7) and a general degradation of the quality of the series). Although there were some 7 (good) episodes, there were also 6s (fair) and even 4 (poor), so I'm giving the whole series a 5.5 (failed potential) out of 10. I'd love to see these performers again, but the series has sucked the life out of it's premise.

I wasn't expecting to love it this much when I first started watching. But it was just so clever, and every aspect of it, from the acting, and the direction styles, to the cinematography, and the amazing soundtrack (Trent Reznor & Atticus Ross are hard to beat), was just so beautifully and precisely crafted to serve the story. The writing in this show genuinely excellent, and often multilayered in its delivery - in particular "She Was Killed By Space Junk", and "A God Walks Into Abar" are especially magnificent.

If you aren't familiar with the Watchmen universe on some level, then it's true, you'll miss some of the references and double meanings that really elevate the show. However I do also think that it's possible to watch it without any prior knowledge, as the show throws everyone into the deep end - fans and newcomers alike, and reveals the state of the world and the characters that occupy it in small increments. If there's something that the audience needs to know, you just have to have a little patience, and a healthy dose of curiosity, and trust that the writers will reveal the necessary information at the right moment. But it's worth sticking around for.

That said, it probably won't be for everyone, and there will undoubtedly be people who find some aspects of it offensive. And that's fair enough. But I will say that while the show is often unflinching in its delivery, it rarely feels gratuitous.

It's true, I'm firmly in the contingent of those who enjoy this type of story, and I'd been looking forward to watching this for a while, but the quality of Watchmen took me by surprise (and I can be quite critical of these things). The story is peculiar (sometimes downright bizarre), and delightful, and fast paced (but then also occasionally meandering), and often unsettling. But providing you like your stories a little weird, there's plenty to stick around for, and Watchmen has some of the best writing I've ever seen in television. I can't recommend it enough.

Really wanted this one to be a hit but I was sourly disappointed.

The supporting characters had no "character" at all. The show didn't give time for us to form any kind of connection between the hired mercenaries either. Made no sense when the robot and Makita all of a sudden had hearts. Robot kamazazing for no reasons after his "friend" was killed. The bear sacrificing herself to hold back the invading force? Why? There was no point in this show that these characters ever seemed to care about anyone but themselves. Which is fine really, that can be a character point in itself.

Yasuaki is bland and has no development at all. He is the same through out the show. As a black man I had little to connect with him. Really wish they gave him more character. Instead we got a basic protagonist that happened to be black.

The animation is poor. Watching the characters mouths move made my head spin. Looked more like an English dub when that is the original language. It's clear Netflix didn't give them much of a budget (Ala Castilvania, Son of Zeus) and it shows.

Those are just a few examples but there are more that made this show more of a failed experiment Netflix threw out there.